Ministry of Music

“Speak to one another with psalms, hymns and spiritual songs. Sing and make music in your heart to the Lord.”
- Ephesians 5:19

Music speaks to parts of the soul that words cannot reach. On festive Sunday mornings, meditative Good Fridays and joyous Christmas events, music at St. Andrew and St. Paul proclaims the Word of God in song, complementing preaching and scripture reading. Every Sunday, our award-winning choir leads the congregation in the singing of hymns, and presents choral introits and anthems a cappella or with organ accompaniment. The Choir also presents special concerts and services throughout the season, often accompanied by an instrumental ensemble. The Church’s monumental pipe organ can be heard in preludes, postludes, hymns and choral accompaniments during church services. Outstanding local and international musicians also perform recitals here throughout the year. Some of the highlights of the Church’s musical season include the annual CBC Christmas Sing-In, a national radio broadcast recorded at The Church early each December; an annual benefit concert for the Maison du Parc, held each November in collaboration with the Montreal Symphony Players’ Association; the major choral service on Good Friday (in the recent past this has included Bach’s St. Matthew and St. John Passions, Handel’s Messiah, and Mozart, Fauré and Duruflé’s Requiems); and the Organ Intermezzi solo organ recital series. The choir and organ are also featured on the CD “A New Heaven”, issued in 2016 and available through the church office. A Christmas CD, “LUX”, was launched November 17, 2017 under the label ATMA Classique.

Ministère de la Musique

« Entretenez-vous les uns les autres par des psaumes, par des hymnes, et par des cantiques spirituels, chantant et célébrant de tout votre cœur les louanges du Seigneur. » Épître aux Ephésiens, 5:19

Suivez-nous sur Facebook

Où les mots manquent, la musique parle. Dans la célébration du dimanche, le recueillement du Vendredi saint ou la joie du temps de Noël, la musique, à l’église St. Andrew & St. Paul, complète la prédication et la lecture des évangiles en proclamant la Parole de Dieu par le chant. Tous les dimanches, notre chœur guide l’assemblée dans le chant des hymnes et propose des introïts et des chants a capella ou accompagnés à l’orgue. Durant l’année, le chœur se produit aussi en concert et lors de services religieux spéciaux, souvent avec ensemble instrumental. L’orgue imposant de l’église résonne pendant les services religieux dans les préludes, les postludes et les hymnes, et dans l’accompagnement des pièces chorales. Des musiciens réputés, d’ici et d’ailleurs, viennent régulièrement donner des récitals à l’église. La saison musicale de l’église comprend, entre autres, le Christmas CBC Sing-In, radiodiffusé à l’échelle nationale au début de décembre, un concert-bénéfice annuel qui se tient en novembre au profit de la Maison du Parc, en collaboration avec l’Association des musiciens de l’Orchestre symphonique de Montréal, et la présentation d’une œuvre majeure du répertoire de chant choral à l’occasion du service religieux du Vendredi saint (récemment, la Passion selon saint Matthieu et la Passion selon saint Jean, de Bach, le Messie de Handel, ainsi que les Requiem de Mozart, Fauré et Duruflé). Enfin, chaque été l’église accueille des organistes solistes dans le cadre de la série de concerts « Intermèdes à l’orgue ». Deux CD mettent en vedette le chœur et l’orgue : « A New Heaven », paru en 2016, est disponible aux bureaux administratifs de l’église, et un album de Noël, « LUX », a été lancé le 19 novembre 2017 sous étiquette ATMA Classique.

 
 

Upcoming Events

17dec7:00 pm8:00 pmFeaturedCarols by Candlelight7:00 pm - 8:00 pm

30mar7:30 pmGood Friday Choral Service7:30 pm

First Sunday of Advent

December 3, 2017

Prelude: Nun komm, der Heiden Heiland, BWV 659 & 660 (Bach)

Introit:  There is a flower (Rutter)

Anthem: I wonder as I wander (Rütti)

Postlude: Nun komm, der Heiden Heiland, BWV 661 (Bach)

Second Sunday of Advent (White Gifts Sunday)

December 10, 2017

Prelude: Nun komm, der Heiden Heiland (Bruhns)

Introit: What sweeter music  (Rutter)

Anthem: A Spotless Rose (Mealor)

Postlude: Praeludium in E minor “The Great” (Bruhns)

Third Sunday of Advent

December 17, 2017 “Christmas Family Sunday”

Prelude: Advent Chorales from op. 65 (Karg-Elert)

Introit: O Radiant Dawn (MacMillan)

Anthem: Mary Had a Baby (arr. Carnahan)

Postlude: Macht hoch die Tür, op. 65 no. 8 (Karg-Elert)

Fourth Sunday of Advent 

December 24, 2017 at 11:00 a.m.

A service of Lesssons and Carols for Christmas, with Sacrament of Holy Baptism

Family Christmas Eve Service

December 24, 2017 at 4:00 p.m.

A family-oriented service, with a quartet from the Choir

Candlelight Christmas Eve Service

December 24, 2017 at 11:00 p.m.

A traditional candle-lit Christmas Eve service, with full Choir

First Sunday after Christmas Day

December 31, 2017

-with a soloist from the Choir

Prelude: Première Suitte de Noëls (Balbastre)

Postlude: Noël Suisse (Daquin)

Baptism of the Lord

January 7, 2018

Prelude: Christ, unser Herr, zum Jordan kam, BWV 684 & 685 (Bach)

Introit: The White Dove (Healey)

Anthem: Christ, unser Herr, zum Jordan kam, BWV 7/1 (Bach)

Postlude: Fugue in C, BWV 564/2 (Bach)

Second Sunday after the Epiphany

January 14, 2018

Prelude: Communion (Dubois)

Introit: Occuli omnium (Wood)

Anthem: And the glory of the Lord, from Messiah (Handel)

Postlude: Fiat lux (Dubois)

Third Sunday after the Epiphany

Celebration Sunday, January 21, 2018

Guest Ensemble: Harvard University Chapel Choir

Prelude: Communion (Grison)

Introit: Christ, whose glory fills the skies (Bissell)

Anthem: Hallelujah, Amen, from Judas Maccabeus (Handel)

Postlude: Toccata en fa majeur (Grison)

Fourth Sunday after the Epiphany

January 28, 2018

Featuring music by A&P Musician Alumni

Prelude: Three Meditations (Meek)

Introit: Seek the Lord, from Three Songs of Isaiah (Wachner)

Anthem: Weave for us a garment (Owolabi)

Postlude: Dance (Owolabi)

Fifth Sunday after the Epiphany (Presentation of the Lord)

February 4, 2018

Prelude: Psalm Preludes, Set 1 nos. 1 & 2 (Howells)

Introit: Nunc dimittis St. Paul’s (Howells)

Anthem: Vox dicentis (Naylor)

Postlude: Toccata Giocoso (Mathias)

Transfiguration Sunday (Heritage Sunday)

February 11, 2018

Prelude: Benedictus, from Sonata Britannica (Stanford)

Introit: Psalm 121 (Kodály)

Anthem: Light of the World (Elgar)

Postlude: Finale, from Sonata Britannica (Stanford)

The Choir

The renowned Choir of the Church of St. Andrew and St. Paul is a 45-voice ensemble that includes professional singers and auditioned members from the church and Montreal communities. In addition to providing music for the church’s regular worship services, it presents concerts and choral services throughout the year, including the annual CBC Christmas Sing-In, a benefit concert for Maison du Parc in collaboration with the Montreal Symphony Players’ Association, and the presentation of a major choral work on Good Friday.

Photo by Tam Lan Truong

Auditions

Auditions for the Choir of the Church of St. Andrew & St. Paul are held in May for the professional choristers and in August for the volunteer singers. For more information regarding the requirements and specific dates, please email the choir manager.


The Organ

The organ of the Church of St. Andrew and St. Paul was built in 1931 by the renowned Casavant Frères of Ste. Hyacinthe, as that firm’s opus #1457. It is one of the largest instruments on the island of Montreal, containing nearly 7,000 pipes. About 70% of the pipes are located in the chancel; the other pipes speak from the rear gallery. Only the Trompette en chamade (installed in 1992) is visible, mounted prominently below the Black Watch window.

The instrument was cleaned and overhauled by Casavant in 1976-77, and several stops and a new console were added by Caron, Gagnon, Baumgarten in 1992. The tonal work of these rebuilds lent the instrument a neo-baroque flavour, but was unfortunately of uneven technical and musical quality. The console was rebuilt by Casavant in 2001. A gradual tonal renovation of the organ has been ongoing since 2010, whose goal is to replace the 1970s and 1990s-era neo-classical stops with pipework of the early 20th century, of superior material and tonal quality. Like all of the Casavant instruments built between ca. 1890 and 1960, op. 1457 was conceived in the late-Romantic Anglo-American style, and remains a monumental essay in the genre.

The tonal design of the instrument was conceived for the playing of orchestral transcriptions and orchestrally-inspired solo repertoire and accompaniments; the Wagnerian orchestra, with its kaleidoscopic yet seamless colour changes, was the aesthetic ideal for many organists of the period.


Console of the 7,000-pipe Casavant organ, built in 1931.
Fast Facts
  • Built in 1932 by Casavant Fréres Ltée, Opus 1457
  • Rebuilt in 1977 (Casavant) and 1992 (Caron-Gagnon-Baumgarten Inc.)
  • New Main Console, and addition of a 3-manual Tower Console in 2001 (Casavant)
  • Ongoing restoration with vintage pipework, 2009-present
  • Main Organ: 4 manuals, 87 stops, 80 ranks
  • Tower Organ 2 manual, 26 stops, 30 ranks
  • Total: 113 stops, 110 ranks
Main Great (C-c””) (18 stops, 17 ranks)
Double Open Diapason 16’
Open Diapason 8’ (1992)
Violin Diapason 8’
Spitz Principal 8’
Rohrflute 8’
Octave 4’
Spitz Principal 4’
Harmonic Flute 4′ (1921 Casavant)
Twelfth 2 2/3’
Fifteenth 2’
Seventeenth 1 3/5’ (ca. 1920 Kimball)
Fourniture IV 1 1/3’ (1992)
Trumpet 8’
Clarion 4’
Chimes (Ch)
Celesta (Ch)
Zimbelstern (1992)
Trompette-en-Chamade 8 (Solo) (1992)

Main Choir (C-c””) (17 stops, 19 ranks)
Contra Gamba 16’
Violin Diapason 8’ (1921 Casavant)
Melodia 8’
Cor de Nuit 8’
Dulciana 8’
Unda Maris 8’
Violina 4’ (ca. 1890 Warren)
Flûte d’Amour 4’
Nazard 2 2/3’
Flageolet 2’
Tierce 1 3/5’
Plein Jeu IV 1’ (1992)
Clarinet 8’
Cor Anglais 8’ (ca. 1920 Gottfried)
Chimes
Celesta
Tremulant
Trompette-en-Chamade 8’ (Solo) (1992)

Main Swell (C-c””) (21 stops, 23 ranks)
Bourdon 16’
Open Diapason 8’ (1992)
Hohlflute 8’
Gedeckt 8’
Quintadena 8’ (TC) (ca. 1940 Casavant)
Viola da Gamba 8’
Voix Celeste 8’
Aeoline 8’
Octave 4’ (1992)
Flauto Traverso 4’
Gambette 4’
Piccolo 2’
Sesquialtera II 2 2/3’ (1992)
Mixture IV 2’ (1992)
Double Trumpet 16’
Trumpet 8’
Oboe 8’
Vox Humana 8’
Clarion 4’
Chimes (Ch)
Celesta (Ch)
Tremulant

Main Solo (C-c””) (11 stops, 11 ranks)
Stentorphone 8’
Flauto Mirabilis 8’
Viole d’Orchestre 8’
Viole Celeste 8’
Fugara 4’
Tuba Magna 16’
Tuba Mirabilis 8’
French Horn 8’
Orchestral Oboe 8’
Tuba Clarion 4’
Trompette-en-chamade 8’ (1992)
Tremulant

Main Pedal (C-g”’) (21 stops, 10 ranks)
Double Open Diapason 32’ (wood; 1-12 resultant, with dedicated Quint 10 2/3’)
Contra Bourdon 32’ (Sw, resultant)
Open Diapason 16’ (ext)
Principal 16’ (1992)
Bourdon 16’
Open Metal 16’ (Gt)
Gedeckt 16’ (Sw)
Gamba 16’ (Ch)
Principal 8’ (ext) (1992/2002)
Flute 8’ (ext Open Diapason 16)
Stopped Flute 8’ (ext)
Choral Bass 4’ (1932/1992)
Flute 4’ (ext)
Mixture IV 2 2/3’ (1992)
Contra Trombone 32’
Trombone 16’ (ext)
Basson 16’ (1980s Laukhuff)
Trumpet 8’ (ext)
Clarion 4’ (ext)
Trompette-en-chamade 8’ (1992)
Clairon-en-chamade 4’ (1992)

Tower Great (C-c””) (8 stops, 10 ranks)
Open Diapason 8’
Doppelflute 8’ (wood)
Salicional 8’
Principal 4’
Waldflute 4’ (wood)
Fifteenth 2’
Plein Jeu III 1 1/3’ (1992)
Trumpet 8’

Tower Swell (C-c””) (12 stops, 16 ranks)
Violin Diapason 8’
Stopped Flute 8’
Viola da Gamba 8’
Voix Celeste 8’
Violina 4’
Harmonic Flute 4’
Piccolo 2’
Sesquialtera II 2 2/3’
Mixture IV 1 1/3’ (1992)
Oboe 8’
French Horn 8’ (ca. 1915 Gottfried)
Vox Humana 8 (1921 Casavant)
Tremulant

Tower Pedal (C-g”’) (6 stops, 4 ranks)
Contra Bourdon 32’ (Main)
Open Diapason 16’ (wood)
Bourdon 16’
Stopped Flute 8’ (ext)
Cello 8’
Trombone 16’

Accessories
Choir, Main Swell, Tower Swell and Solo expression pedals
Main Full Organ
Tower Full Organ
Sforzando
Cymbelstern (toe reversible only)
Pedal Divide
Wind Indicators
128 memory levels
SSL List System (registration sequencer)
Crescendo Pedal (A, B & C settings)
8 general pistons (thumb & toe)
6 divisional pistons each to Solo and Pedal
8 divisional pistons each to Swell, Great and Choir;

Music Staff

Director of Music

Dr. Jonathan Oldengarm

Director of Music and Organist at St. Andrew and St. Paul since 2008, Jonathan is a sought-after soloist, continuo player, arranger, accompanist and improviser, whose innovative interpretations are informed by historical research. He has a passion for bringing great sacred music and hymnody to life within Christian worship, its native context. Choral accompanying and transcription in the early 20th-century Anglo-American orchestral tradition is a particular interest, given St. Andrew and St. Paul’s magnificent 110-stop 1931 Casavant organ.

Jonathan is a prizewinner of the RCCO National Competition, as well as the International Organ Competitions of Calgary, Dublin and Montreal; he also holds the FRCCO diploma, degrees in organ and harpsichord performance from Wilfrid Laurier and McGill Universities, and studied at the Hochschule für Musik in Stuttgart, Germany.

His discography includes two independent releases (Christ Church Cathedral, Victoria, BC; and the Weimbs organ in Zell, Germany), as well as recordings with Les Petits Chanteurs du Mont-Royal and the Choir of the Church of St. Andrew and St. Paul on the ATMA label.

Recent performance highlights include the Maison symphonique, Notre Dame Basilica and St Joseph Oratory (Montreal); the Montreal and Thunder Bay Symphonies, l’Ensemble Caprice and the McGill Chamber Orchestra; the MSO Chorus; Antwerp Cathedral, Belgium; the Grote Kerk, Vlissingen, and the St Augustinuskerk, Amsterdam, the Netherlands; the Pro Organo series, Ottawa, ON; and the 2008, 2009, 2014 and 2017 RCCO National Conventions.

Conductor

Dr. Jean-Sébastien Vallée

Maestro Jean-Sébastien Vallée is a rapidly rising conductor on today’s concert music stage and an internationally recognized scholar, and pedagogue. Dr. Vallée is Director of Choral Studies and Chair of the Conducting Area at the Schulich School of Music of McGill University in Montréal. Prior to his appointment at McGill University, he served as Director of Choral Studies at California State University in Los Angeles, and was on the choral faculty of the University of Redlands.
Ensembles under his direction have sung for the American Choral Directors Association and California Music Educators Conferences, and were awarded first and second places at the San Luis Obispo International Choral Competition in 2011. In 2015, Maestro Vallée was the runner-up for the American Prize in Choral Conducting.
Jean-Sébastien Vallée holds degrees from Laval University, Sherbrooke University, the University of California, Santa Cruz, and a doctorate in conducting from the University of Illinois Urbana-Champaign.

Assistant Conductor

Floydd Ricketts

Organ Scholar

Matthew Johnson

Head Chorister

Stephanie Manias

Choir Manager

William Duffy

Director of Music Emeritus

Wayne K. Riddell CM

Wayne Riddell has been described by music critics as “a choral trainer of genius”. The founder and former director of the Tudor Singers of Montreal, Mr. Riddell has established a reputation as one of Canada’s distinguished musicians who instills in those who sing under his direction a consistent sense of ensemble and musicality which have been hailed by the most demanding of audiences and charmed the most difficult critics. His drive, personal discipline and sense of humour are reflected in the respect and devotion of all who have worked with him, whether artist or support staff. Mr. Riddell and the Tudor Singers have toured from coast to coast in Canada many times, as well as concertizing extensively in Europe and the United States. The choir has been frequently broadcast on the C.B.C. and has several recordings to its credit.
Mr. Riddell is a graduate of McGill University where he also served for a number of years as Director of Choral Music Activities. He also studied in West Germany as a guest of that country’s government. In 1980 the choir was awarded the first Healey Willan Prize by the Canada Council. He was chorus master of the Montreal Symphony and has been invited as guest conductor of that and other orchestras. Mr. Riddell is in constant demand as an adjudicator, workshop leader and guest conductor with many of Canada’s leading choirs and orchestras. In addition, Mr. Riddell maintains an active performing and conducting career abroad.
In July 1988, Wayne Riddell was named a member of the “Order of Canada” in recognition of this outstanding contribution to choral music. In May 1992 he was honoured with the “Distinguished Service Award” from the Association of Canadian Choral Conductors.