Category: Concerts

Click here for the programme

Join us on Good Friday, April 2 at 7:00 p.m. for an intimate performance of a normally monumental work: Giuseppe Verdi’s dramatically-charged Requiem. This innovative arrangement is set for two solo instruments, percussion, organ, choir and soloists, and allows us to appreciate the subtlety of Verdi’s writing in fresh ways.

Premiering Good Friday, April 2, 2021 at 7:00 p.m. at www.youtube.com/standrewstpaul.

Aline Kutan, soprano
Rihab Chaieb, mezzo-soprano
John MacMaster, tenor
Olivier Laquerre, bass
The A&P Choir
Catherine Turner, horn
Peter Rosenfeld, contrabass
Ben Duinker, marimba and bass drum
Alexander Haupt, timpani
Jonathan Oldengarm, organ
Jean-Sébastien Vallée, direction
Stratsimir Dimitrov, audio engineering
Canadian International Organ Competition, video production

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 13:

Suite no. 3, Courante & Sarabande
Leipzig Chorales: Von Gott will ich nicht lassen, BWV 658
Sonata No 2 in a minor, BWV 1003 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 13:

Suite no. 3, Courante & Sarabande
Leipzig Chorales: Von Gott will ich nicht lassen, BWV 658
Sonata No 2 in a minor, BWV 1003 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 13:

Suite no. 3, Courante & Sarabande
Leipzig Chorales: Von Gott will ich nicht lassen, BWV 658
Sonata No 2 in a minor, BWV 1003 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 13:

Suite no. 3, Courante & Sarabande
Leipzig Chorales: Von Gott will ich nicht lassen, BWV 658
Sonata No 2 in a minor, BWV 1003 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 20:

Suite no 3, Bourrées & Gigue
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 659
Sonata No 2 in a minor, BWV 1003 iii. Andante iv. Allegro

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 20:

Suite no 3, Bourrées & Gigue
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 659
Sonata No 2 in a minor, BWV 1003 iii. Andante iv. Allegro

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 20:

Suite no 3, Bourrées & Gigue
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 659
Sonata No 2 in a minor, BWV 1003 iii. Andante iv. Allegro

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 27:

Suite no. 4, Prélude & Allemande
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 660
Partita No. 2 in d minor, BWV 1004 i. Allemande ii. Corrente

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 27:

Suite no. 4, Prélude & Allemande
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 660
Partita No. 2 in d minor, BWV 1004 i. Allemande ii. Corrente

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 27:

Suite no. 4, Prélude & Allemande
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 660
Partita No. 2 in d minor, BWV 1004 i. Allemande ii. Corrente

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 4-6:

Suite no. 4, Courante & Sarabande
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 661
Partita No. 2 in d minor, BWV 1004 iii. Sarabanda iv. Giga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 4-6:

Suite no. 4, Courante & Sarabande
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 661
Partita No. 2 in d minor, BWV 1004 iii. Sarabanda iv. Giga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 4-6:

Suite no. 4, Courante & Sarabande
Leipzig Chorales: Nun komm, der Heiden Heiland, BWV 661
Partita No. 2 in d minor, BWV 1004 iii. Sarabanda iv. Giga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 11-13:

Suite no 4, BWV 1010, Bourées & Gigue
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 662
Partita No. 2 in d minor, BWV 1004 v. Ciaconna

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 11-13:

Suite no 4, BWV 1010, Bourées & Gigue
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 662
Partita No. 2 in d minor, BWV 1004 v. Ciaconna

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 11-13:

Suite no 4, BWV 1010, Bourées & Gigue
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 662
Partita No. 2 in d minor, BWV 1004 v. Ciaconna

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 18-20:

Suite no. 5, BWV 1011, Prélude & Allemande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 663
Sonata No. 3 in C Major, BWV 1005 i. Adagio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 18-20:

Suite no. 5, BWV 1011, Prélude & Allemande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 663
Sonata No. 3 in C Major, BWV 1005 i. Adagio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 18-20:

Suite no. 5, BWV 1011, Prélude & Allemande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 663
Sonata No. 3 in C Major, BWV 1005 i. Adagio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 25-27:

Suite no. 5, BWV 1011, Courante & Sarabande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 664
Sonata No. 3 in C Major, BWV 1005 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 25-27:

Suite no. 5, BWV 1011, Courante & Sarabande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 664
Sonata No. 3 in C Major, BWV 1005 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 25-27:

Suite no. 5, BWV 1011, Courante & Sarabande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 664
Sonata No. 3 in C Major, BWV 1005 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 1-3:

Suite no 5, BWV 1011, Gavottes & Gigue
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 665
Sonata No. 3 in C Major, BWV 1005 iii. Largo iv. Allegro Assai

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 1-3:

Suite no 5, BWV 1011, Gavottes & Gigue
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 665
Sonata No. 3 in C Major, BWV 1005 iii. Largo iv. Allegro Assai

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 1-3:

Suite no 5, BWV 1011, Gavottes & Gigue
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 665
Sonata No. 3 in C Major, BWV 1005 iii. Largo iv. Allegro Assai

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 8-10:

Suite no. 6, BWV 1012, Prélude & Allemande
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 666
Partita No. 3 in E Major, BWV 1006 i. Preludio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 8-10:

Suite no. 6, BWV 1012, Prélude & Allemande
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 666
Partita No. 3 in E Major, BWV 1006 i. Preludio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 8-10:

Suite no. 6, BWV 1012, Prélude & Allemande
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 666
Partita No. 3 in E Major, BWV 1006 i. Preludio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 22-24:

Suite no 6, BWV 1012, Gavottes & Gigue
Leipzig Chorales: Vor deinen Thron tret ich hiermit, BWV 668a
Partita No. 3 in E Major, BWV 1006 iv. Menuet I & II v. Bourrée & Gigue

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 22-24:

Suite no 6, BWV 1012, Gavottes & Gigue
Leipzig Chorales: Vor deinen Thron tret ich hiermit, BWV 668a
Partita No. 3 in E Major, BWV 1006 iv. Menuet I & II v. Bourrée & Gigue

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 22-24:

Suite no 6, BWV 1012, Gavottes & Gigue
Leipzig Chorales: Vor deinen Thron tret ich hiermit, BWV 668a
Partita No. 3 in E Major, BWV 1006 iv. Menuet I & II v. Bourrée & Gigue