Category: Music

21e édition de Voix d’espoir | 21st edition of Voices of Hope

Concert-bénéfice virtuel au profit de la Maison du Parc

Concert enregistré à l’Église de St. Andrew et St. Paul le 20 October 2020
Supportez la Maison du Parc: https://bit.ly/3o1FJcJ​

Virtual concert benefiting Maison du Parc
Concert recorded at the Church of St. Andrew and St. Paul on October 20th, 2020
Support Maison du Parc: https://bit.ly/2JomAm8​
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Johannes Brahms | Ein deutsches Requiem
(version pour orchestre de chambre par / Chamber version by Joachim Linckelmann)

KARINA GAUVIN Soprano • RUSSELL BRAUN Baryton/Baritone
Sous la direction de / Under the direction of JEAN-SÉBASTIEN VALLÉE

Avec l’association des musiciens de l’orchestre symphonique de Montréal et le chœur de l’Église St. Andrew et St. Paul / With the Orchestre symphonique de Montréal Musicians’ Association and the choir of the Church of St. Andrew and St. Paul
21e édition de Voix d’espoir | 21st edition of Voices of Hope

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 16:

Suite no. 1, BWV 1007: Prelude & Allemande
Leipzig Chorales: Komm, Heiliger Geist, BWV 651
Sonata No. 1 in g minor, BWV 1001 i. Adagio
Brahms Mvt 1

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 16:

Suite no. 1, BWV 1007: Prelude & Allemande
Leipzig Chorales: Komm, Heiliger Geist, BWV 651
Sonata No. 1 in g minor, BWV 1001 i. Adagio
Brahms Mvt 1

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 16:

Suite no. 1, BWV 1007: Prelude & Allemande
Leipzig Chorales: Komm, Heiliger Geist, BWV 651
Sonata No. 1 in g minor, BWV 1001 i. Adagio
Brahms Mvt 1

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 16:

Suite no. 1, BWV 1007: Prelude & Allemande
Leipzig Chorales: Komm, Heiliger Geist, BWV 651
Sonata No. 1 in g minor, BWV 1001 i. Adagio
Brahms Mvt 1

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 23:

Suite no. 1, Courante & Sarabande
Leipzig Chorales: Komm, Heiliger Geist, BWV 652
Sonata No. 1 in g minor, BWV 1001 ii. Fuga
Brahms Mvt 2

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 23:

Suite no. 1, Courante & Sarabande
Leipzig Chorales: Komm, Heiliger Geist, BWV 652
Sonata No. 1 in g minor, BWV 1001 ii. Fuga
Brahms Mvt 2

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 23:

Suite no. 1, Courante & Sarabande
Leipzig Chorales: Komm, Heiliger Geist, BWV 652
Sonata No. 1 in g minor, BWV 1001 ii. Fuga
Brahms Mvt 2

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Feb 23:

Suite no. 1, Courante & Sarabande
Leipzig Chorales: Komm, Heiliger Geist, BWV 652
Sonata No. 1 in g minor, BWV 1001 ii. Fuga
Brahms Mvt 2

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7