For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Guided by Amy-Jill Levine’s deep knowledge of the New Testament and strong storytelling skills in Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, you are invited to journey through Lent reflecting on the Passion of Jesus as it is told in the gospels.

Jesus’ final days were full of risk. Every move he made was filled with anticipation, danger and the potential for great loss or great reward.

Jesus risked his reputation when he entered Jerusalem in a victory parade. He risked his life when he dared to teach in the Temple. His followers risked everything when they left behind their homes or anointed him with costly perfume. We take risks as we read and re-read these stories, finding new meanings and new challenges.
In Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, author, professor and biblical scholar Amy-Jill Levine explores the biblical texts surrounding the Passion story. She shows us how the text raises ethical and spiritual questions for the reader, and how we all face risk in our Christian experience.

Led by The Rev. Dr. Glenn Chestnutt, we begin our study via zoom on Wednesday February 24 at 11:00 a.m. and continue for the consecutive weeks of Lent, ending in Holy Week. To register, get the zoom link and purchase a copy of the book please contact the church office on 514-842-3431 or email Office@standrewstpaul.com.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 2:

Suite no 1, Minuets & Gigue
Leipzig Chorales: An Wasserflüßen Babylon, BWV 653
Sonata No. 1 in g minor, BWV 1001 iii. Siciliana iv. Presto
Brahms Mvt 3

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

Guided by Amy-Jill Levine’s deep knowledge of the New Testament and strong storytelling skills in Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, you are invited to journey through Lent reflecting on the Passion of Jesus as it is told in the gospels.

Jesus’ final days were full of risk. Every move he made was filled with anticipation, danger and the potential for great loss or great reward.

Jesus risked his reputation when he entered Jerusalem in a victory parade. He risked his life when he dared to teach in the Temple. His followers risked everything when they left behind their homes or anointed him with costly perfume. We take risks as we read and re-read these stories, finding new meanings and new challenges.
In Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, author, professor and biblical scholar Amy-Jill Levine explores the biblical texts surrounding the Passion story. She shows us how the text raises ethical and spiritual questions for the reader, and how we all face risk in our Christian experience.

Led by The Rev. Dr. Glenn Chestnutt, we begin our study via zoom on Wednesday February 24 at 11:00 a.m. and continue for the consecutive weeks of Lent, ending in Holy Week. To register, get the zoom link and purchase a copy of the book please contact the church office on 514-842-3431 or email Office@standrewstpaul.com.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 9:

Suite no. 2, BWV 1008: Prélude & Allemande
Leipzig Chorales: Schmücke dich, o liebe Seele, BWV 654
Partita No. 1 in b minor, BWV 1002 i. Allemande – Double
Brahms Mvt 4

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Guided by Amy-Jill Levine’s deep knowledge of the New Testament and strong storytelling skills in Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, you are invited to journey through Lent reflecting on the Passion of Jesus as it is told in the gospels.

Jesus’ final days were full of risk. Every move he made was filled with anticipation, danger and the potential for great loss or great reward.

Jesus risked his reputation when he entered Jerusalem in a victory parade. He risked his life when he dared to teach in the Temple. His followers risked everything when they left behind their homes or anointed him with costly perfume. We take risks as we read and re-read these stories, finding new meanings and new challenges.
In Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, author, professor and biblical scholar Amy-Jill Levine explores the biblical texts surrounding the Passion story. She shows us how the text raises ethical and spiritual questions for the reader, and how we all face risk in our Christian experience.

Led by The Rev. Dr. Glenn Chestnutt, we begin our study via zoom on Wednesday February 24 at 11:00 a.m. and continue for the consecutive weeks of Lent, ending in Holy Week. To register, get the zoom link and purchase a copy of the book please contact the church office on 514-842-3431 or email Office@standrewstpaul.com.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 16:

Suite no. 2, Courante & Sarabande
Leipzig Chorales: Herr Jesu Christ, dich zu uns wend, BWV 655
Partita No. 1 in b minor, BWV 1002 ii. Corenta – Double
Brahms Mvt 5

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Guided by Amy-Jill Levine’s deep knowledge of the New Testament and strong storytelling skills in Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, you are invited to journey through Lent reflecting on the Passion of Jesus as it is told in the gospels.

Jesus’ final days were full of risk. Every move he made was filled with anticipation, danger and the potential for great loss or great reward.

Jesus risked his reputation when he entered Jerusalem in a victory parade. He risked his life when he dared to teach in the Temple. His followers risked everything when they left behind their homes or anointed him with costly perfume. We take risks as we read and re-read these stories, finding new meanings and new challenges.
In Entering the Passion of Jesus: A Beginner’s Guide to Holy Week, author, professor and biblical scholar Amy-Jill Levine explores the biblical texts surrounding the Passion story. She shows us how the text raises ethical and spiritual questions for the reader, and how we all face risk in our Christian experience.

Led by The Rev. Dr. Glenn Chestnutt, we begin our study via zoom on Wednesday February 24 at 11:00 a.m. and continue for the consecutive weeks of Lent, ending in Holy Week. To register, get the zoom link and purchase a copy of the book please contact the church office on 514-842-3431 or email Office@standrewstpaul.com.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Mar 23:

Suite no 2, Minuets & Gigue
Leipzig Chorales: O Lamm Gottes, unschuldig, BWV 656
Partita No. 1 in b minor, BWV 1002 iii. Sarabanda – Double iv. Tempo di Borea – Double
Brahms Mvt 6

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of Apr 6:

Suite no. 3, Prélude & Allemande
Leipzig Chorales: Nun danket alle Gott, BWV 657
Sonata No 2 in a minor, BWV 1003 i. Grave
Brahms Mvt 7