Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 11-13:

Suite no 4, BWV 1010, Bourées & Gigue
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 662
Partita No. 2 in d minor, BWV 1004 v. Ciaconna

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 11-13:

Suite no 4, BWV 1010, Bourées & Gigue
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 662
Partita No. 2 in d minor, BWV 1004 v. Ciaconna

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 11-13:

Suite no 4, BWV 1010, Bourées & Gigue
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 662
Partita No. 2 in d minor, BWV 1004 v. Ciaconna

The A&P YOUNG ADULTS GROUP  Invites all CEGEP and University Students to an exciting Spring line-up of speakers on various informative and helpful topics!

Join us on Friday, May 14, beginning at 7:00 p.m. for the second of our three-part Spring Lineup – an informative discussion led by The Rev. Ian Fraser, Associate Minister of the Church of St. Andrew & St. Paul and Mr. David Christiani, Ruling Elder and member of the Church of St. Andrew & St. Paul.

Climate change is affecting human beings, populations and the common good –  very important to the Church, is its impact on human life – spiritual leaders are making the case that it should be considered a moral issue and why individuals and nations need to take action to mitigate the effects of global warming. Join us to learn more and to share your concerns as well as your ideas!

We look forward to welcoming you!!

Click here to register

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 18-20:

Suite no. 5, BWV 1011, Prélude & Allemande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 663
Sonata No. 3 in C Major, BWV 1005 i. Adagio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 18-20:

Suite no. 5, BWV 1011, Prélude & Allemande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 663
Sonata No. 3 in C Major, BWV 1005 i. Adagio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 18-20:

Suite no. 5, BWV 1011, Prélude & Allemande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 663
Sonata No. 3 in C Major, BWV 1005 i. Adagio

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 25-27:

Suite no. 5, BWV 1011, Courante & Sarabande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 664
Sonata No. 3 in C Major, BWV 1005 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 25-27:

Suite no. 5, BWV 1011, Courante & Sarabande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 664
Sonata No. 3 in C Major, BWV 1005 ii. Fuga

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of May 25-27:

Suite no. 5, BWV 1011, Courante & Sarabande
Leipzig Chorales: Allein Gott in der Höh sei Ehr, BWV 664
Sonata No. 3 in C Major, BWV 1005 ii. Fuga

For most of us, the sermon is a highlight of our weekly services of worship. Often, the sermon inspires. Sometimes it leaves questions, or we meet friends with different impressions. Share what you drew from Sunday’s sermon in an amical discussion via Zoom on Monday evenings at 7:00. Always room for more, so if you’d like to join us, please e-mail sermondiscussion@standrewstpaul.com or contact Thea Calder or Keith Randall.

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 1-3:

Suite no 5, BWV 1011, Gavottes & Gigue
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 665
Sonata No. 3 in C Major, BWV 1005 iii. Largo iv. Allegro Assai

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 1-3:

Suite no 5, BWV 1011, Gavottes & Gigue
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 665
Sonata No. 3 in C Major, BWV 1005 iii. Largo iv. Allegro Assai

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 1-3:

Suite no 5, BWV 1011, Gavottes & Gigue
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 665
Sonata No. 3 in C Major, BWV 1005 iii. Largo iv. Allegro Assai

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 8-10:

Suite no. 6, BWV 1012, Prélude & Allemande
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 666
Partita No. 3 in E Major, BWV 1006 i. Preludio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 8-10:

Suite no. 6, BWV 1012, Prélude & Allemande
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 666
Partita No. 3 in E Major, BWV 1006 i. Preludio

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 8-10:

Suite no. 6, BWV 1012, Prélude & Allemande
Leipzig Chorales: Jesus Christus, unser Heiland, BWV 666
Partita No. 3 in E Major, BWV 1006 i. Preludio

The A&P YOUNG ADULTS GROUP  Invites all CEGEP and University Students to an exciting Spring line-up of speakers on various informative and helpful topics!

“Faith in Response to a Multi-faith Community” – An informative discussion about the interfaith communities of two of Montreal’s leading universities, and how they are served.
Guest Speakers:  Ms. Ellie Hummel, Chaplain at Concordia University, Director of Multi-faith Group
and Ms. Carlene Gardner, Director of Morsl at McGill University

We do hope you can join us for these wonderful discussions – a time to reconnect, ask questions, and share your thoughts and ideas in a friendly, welcoming setting.

We look forward to welcoming you!!

Click here to register

Once again the Youth Group will be participating in the ‘Canadian Cancer Relay for Life’  on June 12 and will be seeking out donations.  The Relay is Virtual again this year, however our Youth are keen on continuing their dedication to this worthy cause.  If you would like to make a donation, please find A&P Youth Group on the Canadian Cancer Relay for Life website “support.cancer.ca“, click on  “find a participant” , where you can choose a participant or team.  Thank you in advance on behalf of the Team.  If you would like more information or have difficulty navigating the website, do not hesitate to contact Sharon at grammy.shani@icloud.com

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 15-17:

Suite no. 6, BWV 1012, Courante & Sarabande
Leipzig Chorales: Komm, Gott, Schöpfer, heiliger Geist, BWV 667
Partita No. 3 in E Major, BWV 1006 ii. Loure iii. Gavotte en Rondeau

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 22-24:

Suite no 6, BWV 1012, Gavottes & Gigue
Leipzig Chorales: Vor deinen Thron tret ich hiermit, BWV 668a
Partita No. 3 in E Major, BWV 1006 iv. Menuet I & II v. Bourrée & Gigue

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 22-24:

Suite no 6, BWV 1012, Gavottes & Gigue
Leipzig Chorales: Vor deinen Thron tret ich hiermit, BWV 668a
Partita No. 3 in E Major, BWV 1006 iv. Menuet I & II v. Bourrée & Gigue

Every Tuesday, Wednesday, and Thursday from February 16 to June 24, at 7:00 p.m.

youtube.com/standrewstpaul

From mid-February to late June, follow three Montreal musicians on a gripping journey through J.S. Bach’s greatest works for solo instruments. On Tuesdays, ‘cellist Elinor Frey will play the complete suites for solo violoncello, some of the most iconic music ever written for that instrument. On Wednesdays, organist Jonathan Oldengarm plays the chorale preludes from the Leipzig manuscript, the largest collection of chorale-based works that survives in Bach’s own handwriting. And on Thursdays, violinist Emmanuel Vukovich takes us through the complete sonatas and partitas for solo violin, in a special multimedia performance that also features our church’s landmark Lawrence Lee stained glass windows.

Schedule for Week of June 22-24:

Suite no 6, BWV 1012, Gavottes & Gigue
Leipzig Chorales: Vor deinen Thron tret ich hiermit, BWV 668a
Partita No. 3 in E Major, BWV 1006 iv. Menuet I & II v. Bourrée & Gigue